Cold Of Dawn - Various - Touched 3 (File, MP3)

Probably a digitally manipulated distorted electric guitar sample. Oberheim OB-Xa "Jump" patch. Jump Great analog synth brass, made famous by the song "Jump", by Van Halen, and by the great - ironically - guitarist Eddie. The Super-Detuned Sawtooth Wave sound.

The "Rydeen" sound. Rydeen From Yellow Magic Orchestra's hit, this is a cross between an organ and a synth sound - Cold Of Dawn - Various - Touched 3 (File popular combination in the late '70s. I'm not sure what synthesizer s was used. The No Limit techno lead. No Limit From 2Unlimited's hit song, this was a typical detuned-synth Techno sound. Rumble This was a sound that Chick Corea used very often during his "electrik" period in the eighties. Fluke's "Absurd" vocal sample bass fx.

Absurd This is a great sample found at the beginning of Fluke's hit "Absurd" from the album "Risotto". I guess it consists of some kind of guttural vocal sampled with added fx and something that reminds of a cabasa. Great sound. The Macarena delayed synth. Macarena Say what you want about the Macarena, but the synth that opens the Bayside Boys' super-popular remix of the song is very particular and recognizable. The "Smack My Bitch Up" distorted reso-synth. No Coke Very particular-sounding, highly-resonant synth and dance hall reggae bass.

Exclusively done on synth. From Dr. Alban's hit of the early 90s. I received an email from a reader and it looks like the synth used was a Roland Juno The "Sexy Boy" voco-synth. Sexy Boy Featured all through Air's "Sexy Boy" from their breakthrough album "Moon Safari"this is a characteristic MP3), vocal-like and vocoded synth that gives the song a robotic aura. The "Duel" soft pad Duel I've always loved this song by Propaganda.

The marvelous, incredibly haunting soft pad featured in the chorus is one of the best analog soft pads I've heard. I'm not sure what synth was used for this, but I know they used a lot of PPG. Pure '80s nostalgia. Lovely analog string pad throughout the song. The "Benny Benassi sound" Satisfaction Very, very cool dance synth lead. Is that PWM in action? In the example, the Italian DJ's hit "Satisfaction". The "Sandstorm" techno synth lead Sandstorm Darude's dance hit features an infectious some would say annoyingpiercing techno synth lead.

Very effective at high volume. The Cars' "Let's Go" oscillator-sync lead Let's go Possibly taken from the Prophet-5 "Sync II" patchthis is a great-sounding, characteristic patch, with a great resonant filter effect.

Vocoder Vocoder Kraftwerk style. Trans Europe Express The Vocoder is. Check out "Trans Europe Express", by Kraftwerk. More recently, the Beastie Boys used it in "Intergalactic". Vocoder Cher style. Do you believe Yes, pop mega-diva Cher created a trend applying some kind of vocoding to her voice in "Do you believe in Life after Love".

It's not clear how they did it some say with Antares Auto-Tune Edit: it looks it was indeed Auto-Tune. His song also created a genre, "Dream-House". The Roland JV would feature several patches inspired by these sounds. Rhodes electric piano. Riders on the Storm Beautiful sound used by many 70's fusion players and more recently by Incognito with the Acid Jazz trend of the Cold Of Dawn - Various - Touched 3 (File. For me, "Riders on the Storm" by the Doors does it.

Wurlitzer electric piano. The Logical Song A different sound from the Rhodes, and very, very characteristic. Comes in fun colors, too, like green. Listen to Supertramp's "The Logical Song". Korg M1 House piano. Ride on Time Used in a lot of House tracks, especially in the "Italo-House" genre for its percussive tone.

Keyboard Hohner Clavinet. Superstition Chameleon In the 70's, it was the Funk instrument par excellence. Run through a wah-wah, it's even better. The '60s-style harpsichord. Jimmy Smith-style Hammond Organ. Back at the Chicken Shack C3 vibrato, 3rd harmonic percussion, the first three drawbars all out Vox Continental.

According to Ray Manzarek, it's the "California sound". Farfisa Rock Lobster Similar to the Vox yet different, sligthly warmer and more nasal-sounding, deservedly one of the classic 60's combo organs. The Alesis Ion offers a great recreation of this sound.

The "Lucy MP3) the sky with diamonds" intro organ sound Lucy in the sky with diamonds I remember reading that the organ used by the Beatles for the introduction to this hit was a Lowrey. Pretty cool retro sound. Clavioline Telstar Runaway An awesome sounding, expressive early electronic keyboard! You list the Del Shannon hit "runaway" as featuring a clavoline.

I listened to the audio sample of the pertinent section, and I'm assuming that you refer to the high, reedy sort of solo that plays. That's not a clavoline, though. That's a sax played through an organ leslie. Several years ago, PBS ran a series called "The history of rock n' roll " - and one of the songs it touched on was Del Shannon's runaway.

Survuving members of the band were interiewed and it was revealed that that's what the sound was - people had been trying like mad for decades to figure out what it was, and all it was, was a sax through a leslie.

I searched google but was unable to find anyone who had this info posted, so your best bet is to try and hunt up a copy of that old PBS series, and view the interviews for yourself. The reggae organ ver. One of the best analog string machines ever. The Solina through phaser sound Used in a lot of classic "teutonic rock", or "kosmische musik", and Jean Michel Jarre.

The "Goldfrapp" sound. Lovely Head A wonderful sound. Truly innovative not becase it's the first time that somebody filters vocals, but because of her amazing operatic technique combined with technology. I call this "Goldfrapp" sound, because Alison Goldfrapp uses this technique with beautiful results. She sings through a microphone whose signal is being processed by a synthesizer filter at a Goldfrapp concert in D.

Yep, it's not a Theremin or a synth Korg's Legacy VST edition of the MS has a preset which does this, and it produces a similar effect, particularly the "squally" sound in between the notes, which must come from the microphone picking up noise, or Goldfrapp's breath. It's one of those interesting techniques that is little-used because it requires pitch-perfect singing in order to sound right. The famous sound obtained with a "talk box".

The Elka Synthex Laser Harp. The typical '80s comp synth. Listen carefully and you'll notice the "Mellotronish" choir sound in the background. Gated choir sequenced triplets. Nowhere Land A few years ago this sound was created by some producer gating a choir sound and utilizing a hi-hat pattern to open and close the gate and this is the - impressive - result. Or maybe it's all done with a sequencer. Anyway, "Nowhere Land" was a hit in Europe, at least and countless other tracks imitated this technique.

Contained in the PN-D Roland card. In the example, the solo in Tears For Fears' hit "Shout". An early, low-bit rate, limited-memory sampler was probably used. Strawberry Fields Forever Played polyphonically by the Beatles in their song "Strawberry fields forever", this haunting sound is very beautiful, and the original instrument is still very sought after today.

Other Mellotron sounds, like strings and choirs are very, very evocative. The '80s synth harmonica sound. What's love got to do with it T he synth used for this famous harmonica sound was the Yamaha DX7.

Apparently, an early FM synth, the Yamaha GS-1, was used for the brass sound of this famous s hit. This song was so overplayed on the radio that every kind of people, from a 4-year-old child to the octogenarian grandma, were whistling in the street. I don't remember what keyboards were used, but I'll find out. Update: several Swedish and Norwegian readers have contacted me and confirmed that the synth used was a Roland JX-8P - apparently a preset, "Stab Analog sequencers were at the base of Tangerine Dream's music during the '70s.

The "I feel love" Moroder 16th sequenced pattern. I feel love A classic disco song, "I feel love" by Donna Summer was produced by Giorgio Moroder and is based on a fabulous analog sequencer pattern. Giorgio went on to produce many other synthesizer-based hits all throughout the '80s and beyond. The Jupiter-8 arpeggio. There's also a great syn-flute with pitch bending that's prominent in this track. The Jupiter-4 random arpeggio. A characteristic use of new-sounding sampled instruments in modern hip-hop production Misc The "THX" sound [sound clip removed at request of the copyright owners] This shouldn't probably be here, but I've always been curious.

Does anybody know what synthesizer was used for this great portamento effect? Keyboard magazine List:. Lucky Man. This flutey, highly synthetic lead sound sure stands out, but already belongs to someone.

Emerson's Moog solo is regarded as the first rock synthesizer solo in history. Feed white noise through a rapidly closing VCF with the resonance cranked. Note : the mp3 example is an excerpt from Kraftwerk "Numbers", from Computer World. TR bass drum.

An impossibly low hum, this sound could crumble concrete. A Last Request. This clangorous noise never disappears in a mix, though sometimes we wish it would. The Greatest Love Of All. The DX7's screeching overtones generated by digital frequency modulation punched through a lot of mixes.

A special nomination from Will Alexander, Keith Emerson's collaborator, programmer, and producer. This bamboo flute sound is readily identifiable by the sudden upward pitch-bend at the end of the note. Owner of a lonely heart. A brilliant idea the first time they were used by Art of Noise? A simple yet irresistible sound, Soundtrack is a chorused, filter-swept, sawtooth fifth.

A raspy metallic vocal sample that blooms, then suddenly dances a little jig, this preset opens countless songs. An evocative, mysterious sound, this was an otherworldly bell layered with a synth pad. Behind the Veil None of us are free. This windbag has got to be one of the most overused solo sounds.

Just when we thought it was hopelessly overexposed, Tony Hymas made interesting use of it in "Behind the Veil" from Jeff Beck's Guitar Shop by playing afterbeat chords.

Korg M1 Lore. The underwater windchimey thing heard on a thousand commercials. Korg M1 Pole. Who'd have thought that tapping a metal pole would have so many repercussions? Korg M1 Magic Organ. A burbling, tinkling digitalian, this sample has built more pads than a mattress factory. Against All Odds. First heard on Peter Gabriel's third album, then virtually trademarked by Phil Collins, this is what happens when you run a drum through excessive reverb and then chop off the decay. She drives me crazy.

Possibly a reaction to the deep, space-hogging gated snare, this thin, light sound dances through untold numbers of pop tunes. I can't find a "b-b-b-b-baby" sample at the moment, so how about a "n-n-n-n-nineteen" instead? Funky Drummer. This loop has been used as the backbone of countless tracks. Deservedly one of the classic breakbeats, it opens the first sample CD of the classic "Datafile" trilogy, by Zero-G.

Amen my brother. Pitch-shift it up to bpm, and you get a groovalicious beat that many a jungle producers find irresistible. From "Apache", by the Incredible Bongo Band. The loop of '88 The "Ooh! The loop of ' An irresistible loop, this was perfect to build up a House track. Or, what is it that they say? I have this and the previous loop identified this way in a double sample LP package by Simon Harris, that contained many other loops and sounds suitable for scratching and backbeat purposes.

The Techno-House drum-machine. Mantronix Sexual Healing. The classic Hip-Hop and House drum machine. The "Stutter edit". The Rockafeller Skank. Fat Boy Slim Norman Cook and the "Big Beat" movement Propellerheads, Chemical Brothers, the Prodigy et alii Cold Of Dawn - Various - Touched 3 (File one of the first to popularize the stutter edit utilizing a software sequencer to arrange small snippets of sounds together.

Pump up the volume. When the levee breaks. Genie In A Bottle. She will have no heed of me, and my heart will break. Surely Love is a wonderful thing. It is more precious than emeralds, MP3) dearer than fine opals.

Pearls and pomegranates cannot buy it, nor is it set forth in the market-place. She will dance so lightly that her feet will not touch the floor, and the courtiers in their gay dresses will throng round her.

But with me she will not dance, for I have no red rose to give her;' and he flung himself down on the grass, and buried his face in his hands, and wept. But the Nightingale understood the secret of the Student's sorrow, and she sat silent in the oak-tree, and thought about the mystery of Love. Suddenly she spread her brown wings for flight, and soared into the air.

She passed through the grove like a shadow, and like a shadow she sailed across the garden. In the centre of the grass-plot was standing a beautiful Rose-tree, and when she saw it, she flew over to it, and lit upon a spray.

But go to my brother who grows round the old sun-dial, and perhaps he will give you what you want. So the Nightingale flew over to the Rose-tree that was growing round the old sun-dial. But go to my brother who grows beneath the Student's window, and perhaps he will give you what you want. So the Nightingale flew over to the Rose-tree that was growing beneath the Student's window. But the winter has chilled my veins, and the frost has nipped my buds, and the storm has broken my branches, and I shall have no roses at all this year.

Is there no way by which I can get it? You must sing to me with your breast against a thorn. All night long you must sing to me, and the thorn must pierce your heart, and your life-blood must flow into my veins, and become mine. It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl.

Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill.

Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man? So she spread her brown wings for flight, and soared into the air.

She swept over the garden like a shadow, and like a shadow she sailed through the grove. The young Student was still lying on the grass, where she had left him, and the tears were not yet dry in his beautiful eyes. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body.

His lips are sweet as honey, and his breath is like frankincense. The Student looked up from the grass, and listened, but he could not understand what the Nightingale was saying to him, for he only knew the things that are written down in books. The world's most-loved social storytelling platform Wattpad connects a global community of 90 million readers and writers through the power of story. Start Reading Start Writing. See Your Story Get produced to movie or film.

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She thinks merely of music, and everybody knows that the arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good. And when the Moon shone in the heavens the Nightingale flew to the Rose-tree, and set her breast against the thorn.

All night long she sang with her breast against the thorn, and the cold crystal Moon leaned down and listened. All night long she sang, and the thorn went deeper and deeper into her breast, and her life-blood ebbed away from her. She sang first of the birth of love in the heart of a boy and a girl.

And on the topmost spray of the Rose-tree there blossomed a marvellous rose, petal following petal, as song followed song. Yale was it, at first, as the mist that hangs over the river - pale as the feet of the morning, and silver as the wings of the dawn.

As the shadow of a rose in a mirror of silver, as the shadow of a rose in a water-pool, so was the rose that blossomed on the topmost spray of the Tree. But the Tree cried to the Nightingale to press closer against the thorn. So the Nightingale pressed closer against the thorn, and louder and louder grew her song, for she sang of the birth of passion in the soul of a man and a maid.

And a delicate flush of pink came into the leaves of the rose, like the flush in the face of the bridegroom when he kisses the lips of the bride. But the thorn had not yet reached her heart, so the rose's heart remained white, for only a Nightingale's heart's-blood can crimson the heart of a rose.

And the Tree cried to the Nightingale to press closer against the thorn. So the Nightingale pressed closer against the thorn, and the thorn touched her heart, and a fierce pang of pain shot through her. Bitter, bitter was the pain, and wilder and wilder grew her song, for she sang of the Love that is perfected by Death, of the Love that dies not in the tomb.

Kara Barbieri is a twenty-two year old author with a love for the weird and mystic. When I joined Wattpad, I gained a second family who were as passionate about reading and writing as I am. Ali Novak is a Wisconsin native and a graduate of the University of Wisconsin-Madison's creative writing program.

She started writing her debut novel My Life with the Walter Boys when she was only fifteen. Since then, her work has received more than million hits online and My Life with the Walter Boys has been optioned for television by Komixx Entertainment and Sony Pictures Television. Being a Wattpad Star is the foundation for everything I do as a writer, from the behind the scenes wrangling to the big, game-changing projects. Having been active on Wattpad for several years, I knew it would be the perfect platform for a thriller with lots of cliffhangers for readers to discuss.

Korg M1 Universe. Together with "Staccato Heaven", one of my favorite presets of all time. Hot Butter's success is an irresistible electro-pop piece. Gary Numan used that Polymoog preset for the great mega-analog synth lead in his hit song. Minimoog in "Catherine Parr". The Moog Minimoog is probably the most famous synthesizer ever made. Night in motion. From Cubic 22 "Night in motion". From the Beginning. Different and rich in personality, this sound appears, as usual with ELP, MP3) the end of a pretty standard guitar song, and changes the atmosphere completely.

The "Enola Gay" synth sound. Enola Gay. Famous hit song by the new wave band "Orchestral Maneuvers in the Dark" OMD This cool sound was apparently sourced from the unpretentious Korg micro-preset! Axel F. A s hit for Harold Faltermeyer. In the air tonight True. Phil Collins for "In the air tonight" and Spandau Ballet for "True" both reportedly used this great analog synth for their pads. A characteristic early house stab, popularized by the band "Snap". Great analog synth brass, made famous by the song "Jump", by Van Halen, and by the great - ironically - guitarist Eddie.

From Yellow Magic Orchestra's hit, this is a cross between an organ and a synth sound - a popular combination in the late '70s. No Limit. From 2Unlimited's hit song, this was a typical detuned-synth Techno sound. This was a sound that Chick Corea used very often during his "electrik" period in the eighties.

This is a great sample found at the beginning of Fluke's hit "Absurd" from the album "Risotto". Say what you want about the Macarena, but the synth that opens the Bayside Boys' super-popular remix of the song is very particular and recognizable. Smack My Bitch Up. Liam reportedly used a Korg Prophecy for this infectious, distorted TBish synth lead. No Coke. Very particular-sounding, highly-resonant synth and dance hall reggae bass.

Sexy Boy. Featured all through Air's "Sexy Boy" from their breakthrough album "Moon Safari"this is a characteristic guttural, vocal-like and vocoded synth that gives the song a robotic aura. The "Duel" soft pad. I've always loved this song by Propaganda. The "Fade To Grey" synth bass, fx and pad. Fade To Grey. A triumph of analog synthesis, this was Visage's big hit.

The "Benny Benassi sound". Very, very cool dance synth lead. The "Sandstorm" techno synth lead. Darude's dance hit features an infectious some would say annoyingpiercing techno synth lead. The "Pullover" techno synth lead. The Cars' "Let's Go" oscillator-sync lead. Possibly taken from the Prophet-5 "Sync II" patchthis is a great-sounding, characteristic patch, with a great resonant filter effect.

Vocoder Kraftwerk style. Trans Europe Express. The Vocoder is. Do you believe. Yes, pop mega-diva Cher created a trend applying some kind of vocoding to her voice in "Do you believe in Life after Love". The Dream-House piano - aka the "Children" sound. Riders on the Storm. Beautiful sound used by many 70's fusion players and more recently by Incognito with the Acid Jazz trend of the 90's.

The Logical Song. A different sound from the Rhodes, and very, very characteristic. Ride on Time. Used in a lot of House tracks, especially in the "Italo-House" genre for its percussive tone. Hohner Clavinet. Superstition Chameleon. In the 70's, it was the Funk instrument par excellence. Korg M1 Perc Organ. Please Don't Go. The mythical "17 Organ2" preset on the M1 defined House music of the early s. Back at the Chicken Shack. C3 vibrato, 3rd harmonic percussion, the first three drawbars all out Light My Fire.

The sound of The Doors and many other 60's bands. Similar to the Vox yet different, sligthly warmer and more nasal-sounding, deservedly one of the classic 60's combo organs. Won't get fooled again. At the beginning of the great Who song.

The "Lucy in the sky with diamonds" intro organ sound. Lucy in the sky with diamonds. I remember reading that the organ used by the Beatles for the introduction to this hit was a Lowrey. Telstar Runaway. An awesome sounding, expressive early electronic keyboard! No Woman No Cry. Awesome chorused sound, with some high drawbars out and leslie running. The Solina through phaser sound. Used in a lot of classic "teutonic rock", or "kosmische musik", and Jean Michel Jarre.

Lovely Head. A wonderful sound. The "Frampton" sound. The X-Files. The Anasthasia techno choir. Anasthasia James Brown is dead. I truly loved this song when it came out! Belgian group T created this techno standard sound sampling the sound of an orchestral choir supposedly a recording of The Rite of Spring by Stravinsky and shifting the starting point of its wave so to obtain a very fast attack, indispensable to play the characteristic riff. Original System Disk nr-2 contains some orchestral sound, and one called "Ending 1" is that famous "James Brown Is Dead" choir sound :.

E-mu Emulator choir. Enjoy The Silence Tziganata. Depeche Mode used Emulators in the '80s. Nowhere Land. A few years ago this sound was created by some producer gating a choir sound and utilizing a hi-hat pattern to open and close the gate and this is the - impressive - result. The Fairlight Syn Vox. Moments In Love O Superman. The uber-famous Fairlight syn vox.

D "Star Trek Voices". A gorgeous, Fairlight-esque vox pad that sparkles and swims in space. The Fairlight syn vox. The most beautiful and famous CMI Fairlight factory sample, this was, and still is, widely used in the ROM of many sample-based, modern era synthesizers.

The "I Can't Wait" early-sampler sampled vocals. This is the Cold Of Dawn - Various - Touched 3 (File that I am using to play the sound with url this. When I press the play button, it gives me an error. I am not sure why this is happpening since I don't see any undefined states. A;; states have been declared.

Unfortunately if Cold Of Dawn - Various - Touched 3 (File use multiple of these components the music from the other components doesn't stop playing whenever I start another component playing - any suggestions on an easy solution for this problem?

Unfortunately, there is no straightforward solution using the exact codebase we used to implement a single Player component. The reason is that you somehow have to hoist up single player states to a MultiPlayer parent component in MP3) for the toggle function to be able to pause other Players than the one you directly interacted with.

One solution is to modify the hook itself to manage multiple audio sources concurrently. Here is an example implementation:. Note that the toggle method is curried to accept the source player's index i. Actual audio object control happens in useEffect as in the original hook, but is slightly more complex as we have to iterate through the entire array of audio objects with every update.

Similarly, event listeners for audio stream 'ended' events are handled in a second useEffect as in the original hook, but updated to deal with an array of audio objects rather than a single such object. Finally, the new hook is called from the parent MultiPlayer component holding multiple playerswhich then maps to individual Player s using a an object that contains the player's current state and its source streaming URL and b the toggle method curried with the player's index.

The error occurs because of how the this keyword works in JavaScript. I think the Audio should play just fine if we solve that issue. If you do a console. Gospel music is music that is written to express either personal or a communal belief regarding Christian life, as well as in terms of the varying music styles to give a Christian alternative to mainstream secular music.

Like other forms of Christian music the creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. However, a common theme of most gospel music is praise, worship or thanks to God, Christ, or the Holy Spirit.

Gospel music as we know MP3) began in the late 19th century.

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9 thoughts on “Cold Of Dawn - Various - Touched 3 (File, MP3)

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