Love Hungry Man - AC/DC - Highway To Hell (Cassette, Album)

Kramer met the band at Criteria Studios in Miami, Florida but, by all accounts, they did not get on. He looked at Bon and said to us, 'Can your guy sing?

So one day we told him we were going to have a day off and not to bother coming in. This was Saturday, and we snuck into the studio and on that one day we put down six songs, sent the tape to Lange and said, 'Will you work with us?

Sessions for the album—15 Album) a day, day-in day-out, for over two months—were gruelling. Songs were worked and reworked. We were all minimalist. We felt it was the best way to be He knew we were all dedicated so he sort of got it. But he made sure the tracks were solid, and he could hear if a snare just went off.

He would zero in—and he was good too on the vocal side. Even Bon was impressed with how he could get his voice to sound. That was when they all went, 'What the fucking hell we dealing with here?

The melodic backing vocals was a new element Love Hungry Man - AC/DC - Highway To Hell (Cassette the band's sound, but the polish that Lange added did not detract from the band's characteristic crunch, thereby satisfying the band and Atlantic Records at the same time. Lange also taught Angus some useful lessons, instructing him to play his solos while sitting next to the producer.

It was fantastic! And that really stood them all to attention on Mutt too. He really massaged them into what became that album". The album's most famous song is its title track. From the outset, Atlantic Records hated the idea of using the song as the album title, with Angus recalling to Guitar World ' s Alan Di Perna in Album) And all we'd done is describe what it's like to be on the road for four years, like we'd been.

A lot of it was bus and car touring, with no real break. It really was. When you're sleeping with the singer's socks two inches from your nose, that's pretty close to hell. We were in Miami and we were flat broke. Malcolm and I were playing guitars in a rehearsal studio, and I said, "I think I have a good idea for an intro", which was the beginning of "Highway to Hell". And he hopped on a drum kit and he banged out the beat for me.

There was a guy in there working with us and he took the cassette we had it on home and gave it to his kid, and his kid unraveled it [laughs]. Bon was good at fixing broken cassettes, and he pasted it back together. So at least we didn't lose the tune. The words to "Highway to Hell" took on a new resonance when Scott drank himself to death in AllMusic 's Steve Huey observes:.

The lyrics displayed a fierce, stubborn independence in his choice of lifestyle "Askin' nothin', leave me be"; "nobody's gonna slow me down"but not really loneliness of hell: "goin' down! It's ironic that Scott seems most alive when facing death with the fearless bravado of "Highway to Hell", yet it's undeniably true, especially given his positively unhinged performance. The untutored ugliness of his voice; the playfulness with which he used it to his advantage; the wails, growls, screeches, and scratches - all these qualities combine to give the song an unbridled enthusiasm without which it might take on an air of ambivalence.

In his band memoir, Murray Engelheart reveals that Scott felt the lyrics of songs like "Gone Shootin'" from the preceding Powerage were "simply too serious. The song "If You Want Blood You've Got It " borrowed the title of the band's live album Love Hungry Man - AC/DC - Highway To Hell (Cassette the previous year and stemmed from Scott's response to a journalist at the Day on the Green festival in July when asked what they could expect from the band, Scott replied, "Blood".

The opening guitar riff of "Beating Around the Bush" has been referred to by journalist Phil Sutcliffe as "almost a tribute Asked "What's the worst record you've ever made?

The phrase closed the album. Additionally, the East German release had different and much plainer designs on the front and back, apparently because the authorities were not happy with the sleeve as released elsewhere. Greg Kot of Rolling Stone writes, "The songs are more compact, the choruses fattened by rugby-team harmonies.

Published by Edward B. Their music has been variously described as hard rock, blues rock, and heavy metal, but the band themselves call it simply "rock and roll".

It is the band's first album to feature lead singer Brian Johnson, following the death of previous lead singer Bon Scott. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Track Listing. Highway to Hell. George Young had always encouraged his charges to simply give it their Love Hungry Man - AC/DC - Highway To Hell (Cassette shot and damn such niceties as tuning and time-keeping, but Lange insisted on everything being in perfect balance, melodically, rhythmically and harmonically, so when each song exploded into action, it did so against a backdrop that contrasted rather than competed for attention.

In this way, he even coaxed from them tracks that took their foot off the pedal long enough to almost be called ballads. In the case of Love Hungry Manthe beat was essentially no different to Highway To Hellbut the idea was much less in-your-face although Malcolm and Angus came to see it as a bridge too far, refusing even to play it live. But musically, this was a whole other universe. The craft that went into Walk All Over You was like a George Young production in reverse, Lange introducing a more sophisticated set of dynamics that turned an otherwise average blues romp into something touched by greatness.

Similarly, Shot Down In Flames was pop-rock taken to its zenith. Mutt sat in his seat and did it without standing up!

Lange also taught Angus some useful lessons, Album) him to play his solos while sitting next to the producer. It was fantastic! And that really stood them all to attention on Mutt too. Genesis Duke. Power Up. Rock or Bust.

Black Ice. Family Jewels. On Music Lists. Add a Comment. Nagrarok November 12th Comments. ReturnToRock November 12th Comments. AnotherBrick November 12th Comments. BigHans November 12th Comments. LepreCon November 12th Comments. Sowing Moderator November 12th Comments. Gyromania November 12th Comments.

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I'd never thought I'd ever 5 this. Album) yet I did, just doesn't let down anywhere. I only just 5'd it yesterday since it's only now I realize how good it really is. Had to make up my mind before posting. Emotionally, though Voltage only had She's Got Balls. Album Rating: 3. You did Album) the weakest tracks, I still find them great for the album though.

When taken out of context they're in no way as good. I'm just not going to comment on that anymore Brick. Album Rating: 5. The only track that can even be considered average is Get It Hot. Great job on the discog Nag. Because Sputnik focuses on new releases and Nagrarok focuses on old releases. It's actually kind of unfortunate because Nagra is one of the best reviewers here.

All of your ratings are 3 and lower. I believe Brick believes it is possible to call yourself a fan by liking songs and not albums. Thanks Sowing, I may never got contributor but Album) always nice to hear my reviews are appreciated, because I often have the feeling I repeat myself.

It does only happen rarely, doesn't it Album) Tracks like Touch Too Much — retrieved from a flailing, earlier incarnation and remade into a top-notch toe-tapper — and the pulsing Get It Hot were, on the surface, cornerstone heavy rockers, yet, as Platt points out, they had proper groove.

George Young had always encouraged his charges to simply give it their best shot and damn such niceties as tuning and time-keeping, but Lange insisted on everything being in perfect balance, melodically, rhythmically and harmonically, so when each song exploded into action, it did so against a backdrop that contrasted rather than competed for attention. In this way, he even coaxed from them tracks that took their foot off the pedal long enough to almost be called ballads. In the case of Love Hungry Manthe beat was essentially no different to Highway To Hellbut the idea was much less in-your-face although Malcolm and Angus came to see it as a bridge too far, refusing even to play it live.

But musically, this was a whole other universe. The craft that went into Walk All Over You was like a George Young production in reverse, Lange introducing a more sophisticated set of dynamics that turned an otherwise average blues romp into something touched by greatness. Similarly, Shot Down In Flames was pop-rock taken to its zenith.

Mutt sat in his seat and did it without standing up! Lange also taught Angus some useful lessons, instructing him to play his solos while sitting next to the producer. It was fantastic! And that really stood them all to attention on Mutt too. He really massaged them into what became that album. This time around there were no sneaky tapes being sent back to George, either. While the elder Young still fumed over his removal from the studio, no one could argue with the results Lange was getting.

ISBN Retrieved 29 November Archived from the original on 13 May Retrieved 3 October The Encyclopedia of Popular Music 5th ed. Omnibus Press. The Great Rock Discography 7th ed. Canongate U. Detroit: Visible Ink Press. Smash Hits. ISSN Spin Alternative Record Guide. New York: Vintage Books. Archived from the original on 8 March Retrieved 24 April Archived from the original on 10 September Retrieved 18 September Official Charts Company.

Archived from the original on 6 November Retrieved 19 December Archived from the original on 4 October Archived from the original on 3 December Archived from the original on 4 November Archived from the original on 3 November Archived from the original on 12 November Retrieved 27 January Archived from the original on 13 July Archived from the original on 6 July Retrieved 21 February Australian Recording Industry Association.

IFPI Austria. Music Canada. Archived from the original on 4 May Federazione Industria Musicale Italiana. Select "" in the "Anno" drop-down menu. Select "Highway to Hell" in the "Filtra" field. Album) "Album e Compilation" under "Sezione".

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9 thoughts on “Love Hungry Man - AC/DC - Highway To Hell (Cassette, Album)

  1. View credits, reviews, tracks and shop for the Cassette release of "Highway To Hell" on Discogs.

  2. Jul 27,  · Highway to Hell. AC/DC. Hard Rock · AC/DC had been creating album after album of pulverizing rock 'n' roll for much of the '70s when they released Highway to Hell. If those albums were the sound of them pillaging the club scene, this was where they stormed the gates of the arena. A new producer, Robert "Mutt" Lange, was brought on board.

  3. 9. Love Hungry Man Night Prowler Tracks 1 to 10 are their sixth studio album (5th in the UK) "Highway To Hell" - released 3 August in the USA on Atlantic SD and in the UK on Atlantic K Produced by ROBERT JOHN LANG (aka 'Mutt' Lang) – it peaked at No. 8 in the UK and No. 17 in the USA/5(K).

  4. View credits, reviews, tracks and shop for the Vinyl release of "Highway To Hell" on Discogs.

  5. View credits, reviews, tracks and shop for the Cassette release of "Camino Al Infierno (Highway To Hell)" on Discogs.

  6. 9. Love Hungry Man Night Prowler Tracks 1 to 10 are their sixth studio album (5th in the UK) "Highway To Hell" - released 3 August in the USA on Atlantic SD and in the UK on Atlantic K Produced by ROBERT JOHN LANG (aka 'Mutt' Lang) – it peaked at No. 8 in the UK and No. 17 in the USA/5(4).

  7. Highway to Hell was originally released on 27 July by Albert Productions, who licensed the album to Atlantic Records for release outside of Australia, and was then re-released by Epic Records in as part of the AC/DC Remasters series.

  8. AC/DC - Highway To Hell - CASSETTE. In stock and ready to ship. This is a second hand item. Please view the images for actual photos of the product and ask any questions PRIOR to purchasing. A1. Highway To Hell A2. Girls Got Rhythm

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