I'd never thought I'd ever 5 this. Album) yet I did, just doesn't let down anywhere. I only just 5'd it yesterday since it's only now I realize how good it really is. Had to make up my mind before posting. Emotionally, though Voltage only had She's Got Balls. Album Rating: 3. You did Album) the weakest tracks, I still find them great for the album though.
When taken out of context they're in no way as good. I'm just not going to comment on that anymore Brick. Album Rating: 5. The only track that can even be considered average is Get It Hot. Great job on the discog Nag. Because Sputnik focuses on new releases and Nagrarok focuses on old releases. It's actually kind of unfortunate because Nagra is one of the best reviewers here.
All of your ratings are 3 and lower. I believe Brick believes it is possible to call yourself a fan by liking songs and not albums. Thanks Sowing, I may never got contributor but Album) always nice to hear my reviews are appreciated, because I often have the feeling I repeat myself.
It does only happen rarely, doesn't it Album) Tracks like Touch Too Much — retrieved from a flailing, earlier incarnation and remade into a top-notch toe-tapper — and the pulsing Get It Hot were, on the surface, cornerstone heavy rockers, yet, as Platt points out, they had proper groove.
George Young had always encouraged his charges to simply give it their best shot and damn such niceties as tuning and time-keeping, but Lange insisted on everything being in perfect balance, melodically, rhythmically and harmonically, so when each song exploded into action, it did so against a backdrop that contrasted rather than competed for attention. In this way, he even coaxed from them tracks that took their foot off the pedal long enough to almost be called ballads. In the case of Love Hungry Manthe beat was essentially no different to Highway To Hellbut the idea was much less in-your-face although Malcolm and Angus came to see it as a bridge too far, refusing even to play it live.
But musically, this was a whole other universe. The craft that went into Walk All Over You was like a George Young production in reverse, Lange introducing a more sophisticated set of dynamics that turned an otherwise average blues romp into something touched by greatness. Similarly, Shot Down In Flames was pop-rock taken to its zenith.
Mutt sat in his seat and did it without standing up! Lange also taught Angus some useful lessons, instructing him to play his solos while sitting next to the producer. It was fantastic! And that really stood them all to attention on Mutt too. He really massaged them into what became that album. This time around there were no sneaky tapes being sent back to George, either. While the elder Young still fumed over his removal from the studio, no one could argue with the results Lange was getting.
ISBN Retrieved 29 November Archived from the original on 13 May Retrieved 3 October The Encyclopedia of Popular Music 5th ed. Omnibus Press. The Great Rock Discography 7th ed. Canongate U. Detroit: Visible Ink Press. Smash Hits. ISSN Spin Alternative Record Guide. New York: Vintage Books. Archived from the original on 8 March Retrieved 24 April Archived from the original on 10 September Retrieved 18 September Official Charts Company.
Archived from the original on 6 November Retrieved 19 December Archived from the original on 4 October Archived from the original on 3 December Archived from the original on 4 November Archived from the original on 3 November Archived from the original on 12 November Retrieved 27 January Archived from the original on 13 July Archived from the original on 6 July Retrieved 21 February Australian Recording Industry Association.
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