World Of Fear - Alan Davey - Human On The Outside (CD, Album)

It actually sounds natural to have him there, like you almost expected it. His voice is heavily echoed and effects are added to help dramatize everything, and of course, you get some contrasting vocals and plenty of space effects. The track is strangely cool, but weird and campy. Sound effects surround his performance and harmonica and drums by Baker are also added in.

The keys, bass and guitar are solid against a heavy and moderate beat by Baker. Simon House provides violin on this track again, and again he gets plenty of time to shine even with the many layers of synth noise and loud bass.

Davey's vocals are mysterious and somewhat monotone. Paul Rudolph returns on guitar for "Goodbye Death Valley"which starts off after a short synth introduction. The track is a fast space rock song with an extended jam that easily would fit comfortably on any Hawkwind album. Alan does his best calling on his inner Lemmy-style vocals. This is another fast space rock jam style song, but with the refreshing female vocals. It makes you World Of Fear - Alan Davey - Human On The Outside (CD why she wasn't utilized more in the Hawkwind days.

Mick Slattery also returns on guitar, and Kevin M. Sommers who has worked with Alan Davey in the past Album) his off-key, but appropriate vocals. Not a bad track, but it's interesting how the thick track allows nothing to really stand out here as everything except the vocals are buried in World Of Fear - Alan Davey - Human On The Outside (CD of instruments, at least until the 2 minute mark, when everything breaks down and gets atmospheric, and then a nice soft guitar solo plays against meandering space effects and synth loops.

The last track ends the album with a loud and rocking remake of "Bad Boys for Life AD Version " sung by Lemmy Kilmister bass and vocals from ? This is a very appropriate way to end the album with a bang, and this remake is quite good, with a nice synth solo at the end that plays well against the heavy guitar. If there are any Hawkwind or Hawkwind tribute albums out there that successfully brings back the glory days and sound of Hawkwind, then this is World Of Fear - Alan Davey - Human On The Outside (CD.

The sound is great, the atmosphere and performances are perfect, and somehow, everything ties together into one excellent cohesive package. This is the best Hawkwind album that Hawkwind never released in any of their incarnations. It is totally enjoyable and brings back the most faithful rendition of their sound that I have heard. Hawkwind fans definitely need to hear this one, and it would easily fit in their repertoire.

The addition of guests that have had a chance to work with the band in this tribute only makes it that much more enjoyable and authentic. The work of all of these guests is very well balanced also, so that their distinctive work can easily be heard and not drowned out by layers of guest work on only a few tracks, instead, spreading the performances out evenly, only make this album that much better.

This is definitely a five star album that I will return to often. Review by Tom Ozric Prog Reviewer. Copyright Prog Archives, All rights reserved. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever. When Davey left Hawkwind in it was du to musical constraints he felt he had in the band at that time. He started creating solo albums where he could follow his own muse to a greater extent, the first of these being "Captured Rotation" which was issued first time in While working with his second solo production he also assembled a band of his own; and when "Bedouin" was issued as a solo album in it was also the tentative start of a career with the band of the same name; an outfit that eventually folded in For his next creative venture outside of a band environment, Davey cooperated with long time associate Nigel Potter, Davey's cousin.

They had formed an outfit called Gunslinger back ina project which was put on hold after Davey joined Hawkwind. The long time associates issued "Alien Heart" in as a one-off creation. In Davey hooked up with Hawkwind again, but continued making solo albums as well. The solo productions from Davey slowed down after this, partially due to joining Hawkwind again, but mostly because he got involved in two additional band projects from At this point in time his childhood band Gunslinger was revived; and he also joined black metal outfit Meads of Asphodel around this time.

The fact that David grew up in the s probably swayed him to the setting. Even though his books are fiction, David does a lot of research for his mysteries.

This is because he prefers basing his stories around real historical events and figures. It is his goal to be as historically accurate as possible.

The author will not make things up that do not fit the time period. And David is never short of ideas for stories. The s were so rife with crime and corruption that every stone the author turns over seems to reveal potential plot elements. When David H. The author is a father, grandfather and great grandfather. Mike Angel is a thirty-year old private investigator that is bored with his insurance fraud work. His interest is piqued by a rich friend from college who hires him to follow Joe Ambler, a man that deals in petty blackmail.

The first book in the Mike Angel series finds David H. Fears writing about murders, seductions, and shootouts. At years of age, Mike is still struggling to learn the ropes of private eye work. This time, however, it is Molly that gets involved with the wrong sort of people.

And once she is abducted and taken to New Orleans, Mike Angel has no choice but to follow her. With his partner in toe, Mike plunges headlong into a world of prostitution and white slavery as he attempts to rescue his love interest before she is dragged beyond his reach. The second David H. The links beside each book title will take you to Amazon where you can read more about the book, or purchase it. As an Amazon Associate, I earn money from qualifying purchases. If you would like to link to us, Get the Code Here.

Happy with the work I provide? Support one of these great charities. Any issues with the book list you World Of Fear - Alan Davey - Human On The Outside (CD seeing? Let me know! He has released quite a few things in the past years. This goes back to the days where Alan recorded all of the instruments on the record himself not always a good thing.

The CD features 13 diverse tracks from purely instrumental mostly synth music, very Hawkwind like songs and some rocking stuff but not much as well with many more keyboard solos and than guitar solos.

This track is classic Alan Davey-Bedoiun style melodic space rock with a heavy bass line leading the music and spacey synths darting in and out. He still sings ok… This could easily have been a song on the last Hawkwind record.

Eyes Closed is another instrumental track and starts with some samples and then the bass kicks in and leads the track with the melodic synths. Could be a sort of indie space rock track. Drum Head is World Of Fear - Alan Davey - Human On The Outside (CD strange short piece with massively excessive bass. Marine Snow is a new agey track that you mom would like and sounds a lot like the synth filler tracks on some of the Hawkwind records probably because Alan wrote those as well!

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Fear 11 "Night of the Nether-Spawn! Fear 12 Album) Choice of Colors! Fear 13 "Where Worlds Collide! Fear 14 "The Demon Plague! Fear 15 "From Here to Infinity! Fear 16 "Cry of the Native! Fear 17 "It Came Out of the Sky! Fear 18 "A Question of Survival! Fear 19 "The Enchanter's Apprentice! Continues in Man-Thing Vol 1 1. World Of Fear - Alan Davey - Human On The Outside (CD 20 "Morbius the Living Vampire!

Fear 21 "Project: Second Genesis! Fear 22 "This Vampire Must Die! Fear 23 "Alone Against Arcturus! It actually sounds natural to have him there, like you almost expected it. His voice is heavily echoed and effects are added to help dramatize everything, and of course, you get some contrasting vocals and plenty of space effects.

The track is strangely cool, but weird and campy. Sound effects surround his performance and harmonica and drums by Baker are also added in. The keys, bass and guitar are solid against a heavy and moderate beat by Baker. Simon House provides violin on this track again, and again he gets plenty of time to shine even with the many layers of synth noise and loud bass. Davey's vocals are mysterious and somewhat monotone.

Paul Rudolph returns on guitar for "Goodbye Death Valley"which starts off after a short synth introduction. The track is a fast space rock song with an extended jam that easily would fit comfortably on any Hawkwind album.

Alan does his best calling on his inner Lemmy-style vocals. This is another fast space rock jam style song, but with the refreshing female vocals. It makes you wonder why she wasn't utilized more in the Hawkwind days.

Mick Slattery also returns on guitar, and Kevin M. Sommers who has worked with Alan Davey in the past lends his off-key, but appropriate vocals. Not a bad track, but it's interesting how the thick track allows nothing to really stand out here as everything except the vocals are buried in layers of instruments, at least until the 2 minute mark, when everything breaks down and gets atmospheric, and then a nice soft guitar solo plays against meandering space effects and synth loops.

The last track ends the album with a loud and rocking remake of "Bad Boys for Life AD Version " sung by Lemmy Kilmister bass and vocals from ? This is a very appropriate way to end the album with a bang, and this remake is quite good, with a nice synth solo at the end that plays well against the heavy guitar. If there are any Hawkwind or Hawkwind tribute albums out there that successfully brings back the glory days and sound of Hawkwind, then this is it.

The sound is great, the atmosphere and performances are perfect, and somehow, everything ties together into one excellent cohesive package. This is the best Hawkwind album that Hawkwind never released in any of their incarnations. It is totally enjoyable and brings back the most faithful rendition of their sound that I Album) heard. Hawkwind fans definitely need to hear this one, and it would easily fit in their repertoire.

The addition of guests that have had a chance to work with the band in this tribute only makes it that much more enjoyable and authentic. The work of all of these guests is very well balanced also, so that their distinctive work can easily be heard and not drowned out by layers of guest work on only a few tracks, instead, spreading the performances out evenly, only make this album that much better. This is definitely a five star album that I will return to often.

Review by Tom Ozric Prog Reviewer. Copyright Prog Archives, All rights reserved. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever. When Davey left Hawkwind in it was du to musical constraints he felt he had in the band at that time. He started creating solo albums where he could follow his own muse to a greater extent, the first of these being "Captured Rotation" which was issued first time in While working with his second solo production he also assembled a band of his own; and when "Bedouin" was issued as a solo album in it was also the tentative start of a career with the band of the same name; an outfit that eventually folded in For his next creative venture outside of a band environment, Davey cooperated with long time associate Nigel Potter, Davey's cousin.

They had formed an outfit called Gunslinger back ina project which was put on hold after Davey joined Hawkwind. The long time associates issued "Alien Heart" in as a one-off creation.

In Davey hooked up with Hawkwind again, but continued making solo albums as well. The solo productions from Davey slowed down after this, partially due to joining Hawkwind again, but mostly because he got involved in two additional band projects from At this point in time his childhood band Gunslinger was revived; and he also joined black metal outfit Meads of Asphodel around this time.

Fears sounds like he probably writes horror. It is there that he is able to explore his love for time periods from previous generations. A native of Portland in Oregon, David H. Fears is an American author with a penchant for stories that take place in the s. The author first took to writing as a child. By the time he was in first grade, Fears was starting to show some of the symptoms of a potential writer. However, it was until he was in his fifties that Fears began to write fiction.

As an author, David started down the path to publishing when he encountered Mark Twain in Fears had never heard of Mark Twain before that point. The result of the undertaking was a four-volume tome that gained enough renown for universities and libraries, not to mention enthusiasts of Mark Twain to begin buying it for quite the hefty price.

David was initially known for the myriad Album) short stories he had written over the years. The Mark Twain volumes changed all that, allowing the author to gain notoriety for his historical works. But David eventually returned to his short stories and, in the process of pursuing them, created the Mike Angel books, a series of hard-boiled novels about a Private Investigator in the s. David started out simply reading and loving Raymond Chandler and his ilk.

After a while, Fears began to study the detective novels of his childhood, trying to understand the craft of producing grimy and seemingly artistic mystery thrillers. Eventually, the author graduated to actually writing his own hard boiled novels. The first four books in the Mike Angel series were just an experiment. The author was as interested in seeing the progression of his characters as his readers were. So it comes as no surprise that he has been unable to stop producing the Mike Angel series.

Despite the enthusiasm, writing the Mike Angel series was no picnic for David H. He had Album) shed the academic style he had nurtured over the years in order to produce fiction that reads more like a story and less like a lecture.

Not that the negative reviews swayed Fears who was determined to keep writing and to keep improving his style as he went. Fears landed on the s as an opportune period within which to set his books because it was such a transformational time; an era where social change was unfolding and corruption was more or less at a peak.

The s were also a simpler less stressful time. The fact that David grew up in the s probably swayed him to the setting.

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