Includes lyrics over the melody notes, piano cues, and chord changes. Pianist Steve Allee creates an intimate setting with singer-sensitive solo piano accompaniment for 12 of the greatest ballads ever written. Each song is recorded in 2 keys - one for lower voices and one for higher voices - ensuring all singers, men and LP, can find the best key for their voice! Selected songs are presented in two tempos ballad and medium tempo on separate tracks, adding excitement and variety to these time honored classics.
Melody, lyrics, and chord changes are clearly presented in the book and the pianist on the CD provides singerfriendly intros and voice leading, making it easier to find the melody.
Note: The book contains C parts only - no transposed parts for Bb, Eb, or bass clef instruments, but horn players will love playing and practicing in singers keys. Some of the greatest songs from the Golden Era, each is performed in two keys one CD is for high voices, the other CD is for low voices so you are sure to find a key comfortable for your range. The trio accompaniment is rich and hip - the REAL thing - and tailored specifically for jazz vocalists.
Book includes lead lines and lyrics written above the staves. There is something for everyone here, whether you want the traditional standards of Duke Ellington Volumes 12 and 48 or Jerome Kern Vol.
Jameys play-a-long series has been an invaluable part of my practice schedule ever since I bought my first volume on vinyl in the 70s. I have collected more than of them over the years and have found them a constant source of enjoyment and education. They have helped me keep my chops together and learn tunes especially at times when there was not jam sessions to be found.
Originals by Jimmy, writen in the style of his legendary bebop solos, based on standard chord changes.
Duets transposed for all instruments. Melodies feature Jimmy comping on one channel and soloing on the other. Drummers and Bassists: there are no other instruments on the CD. Horns can solo while Jimmy accompanies. Standard and TAB notation.
Doesnt get better than having Ron Carter and Kenny Barron in your rhythm section at least one time! Dave Liebman. This allows pianists and bassists to switch off their respective channel so that they are not doubling their instrument on the CD. First play-a-long to include both piano AND guitar accompaniment. If a musician doesnt learn to improvise from playing along with the accompaniment of the rhythm sections on these recordings, theyll never learn to improvise. Eddie Electrifying Harris.
Stop Pretending and start Playing! Digitally generated play along tracks have their practical uses, but theyll never match the soul, touch, and groove of the jazz masters. Are you really playing, or just pretending? Each track is the essence of jazz. With practice time so short and precious, why not play with the BEST? Longer tracks with more choruses so you have the most time to hone your skills No demo melody instruments occupying valuable practice space Greater value per track with our 2-CD volumes Accompanying book with transposed parts for ALL instruments.
Special Stereo Separation: Any stereo with a balance control can remove the bassist or drummer for maximum flexibility. I cant tell you strongly enough how much I love your book -and I own literally s of jazz books!
I love it! Im having my summer students buy it this week. I just want to say thanks for the wonderful book -- it really helps to unify all the diverse material out there and chart a pathway by means of specific goals along the way.
Its a terrific value Theres a lot of compassions, humility and joy in this book Your book is the most in-depth Ive ever seen. I really enjoy the sample solos. Its a complete course. All this in one book and 2-CDs GREAT book. This is the first that is really helping me play through tunes -- I never really got it until this book.
For all those players in search of a method to bridge the gap between playing scales, chords and licks to playing meaningful jazz solos. Specifically designed to refine and build upon the knowledge you already have and to improve your understanding and skills as a soloist.
Over pages! All sample solos have been transcribed so you can see and hear what the soloist is playing over additional pages! Each solo is transcribed for all instruments! Useful in both private and classroom settings. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of blues licks, as well as consummate professionals who want to take their knowledge of the blues to new heights.
This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights.
The 50 ideas are divided into three main sections: Harmony - explores scales, arpeggios, chord substitutions, harmonic embellishments, and other harmonic phrasing ideas; Rhythm - covers legato tonguing, swing Album), rhythmic displacement, how to manipulate time, and other aspects of rhythmic phrasing; Melody - discusses contour lines, making patterns musical, developing a motif, building a solo, and many other melodic phrasing ideas.
The companion CD contains 26 demo tracks for listening, as well as many play-along examples so you can practice improvising over various musical styles and progressions. Order by instrument. A wealth of ideas starting on different scale degrees. Specify your key. Available for C instruments only. Even if you are a complete beginner, this easy-to-understand instructional guide will help you develop essential reading, technique, rhythmic syncopation, performance and composing skills, and get you improvising in no time!
Please specify when ordering! Examples are written in both bass and treble clef. May be used in classroom or individual study.
Perfect for beginners and intermediate players, this method contains numerous transcribed examples from Miles, Dizzy, Prez, Oscar Peterson, Dave Sanborn and others, demonstrating practical real world uses in various styles of jazz. The CD includes a jazz quartet of New York musicians demonstrating how to use the exercises and also includes plenty of play-a-long space.
The most thorough blues method on the market! Please specify your instrument when ordering. C Bb Eb. A unique step-by-step series of practice points designed to guide you into improvisation. Daves 25 years as a teacher distilled into an inspiring and user-friendly method. When they speak they seem to be inventing their own language they havent yet grasped the basic words of jazz. This book will help the student identify the jazz vocabulary and master its use.
For all levels of jazz students. Continue your phrases far beyond normal breathing limits with this amazing, yet practical technique, thats easy to learn. Play for minutes at a time without stopping your sound! This book examines it in detail as well as Countdown. Also, contains practice exercises and solo examples, plus how to use this new harmony over standard harmony.
A perfect companion for PlayA-Long Vol. Musicians can improve their jazz style and sight reading by practicing the 10 progressively difficult rhythmic lessons. Lessons contain hundreds of jazz rhythms notated with proper swing articulations, creative and fun improvisational rhythmic etudes, and challenging blues etudes.
Each lesson includes notation for Concert key, E flat, B flat, and Bass clef instruments. This workbook is for ALL instruments. Includes: a book with sheet music for improvisers struggling with standard tunes; a Play-Along CD, a CD-ROM packed with theory instruction, listening examples, and printable accompaniment scores and parts for optional live rhythm section for C, Bb, Eb, Bass Clef, and F instruments; please specify when ordering.
This is a highly recommended book. Ten progressively difficult chapters, containing dozens of improvisational exercises, explore jazz improvisation from creative, melodic and technical perspectives.
Includes a 52 track play-along and demonstration CD featuring full rhythm section and horns. Students will learn to interpret and improvise over the chord progressions. Hear how seasoned jazz musicians interpret the etudes on the accompanying compact discs - then play along with the rhythm section.
Perfect for jazz band auditions, solo festivals, recitals, and individual and group lessons. Please specify your instrument.
Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kennys remarkable work deals directly with these hindrances, and suggests ways to let our natural creative powers flow freely.
Includes an inspiring CD of meditations designed to initiate positive thought. Through his highly acclaimed and proven techniques and methodology, one can remove the technical and psychological barriers to creativity that afflict us all and liberate the master musician within. Re-experience the joy of playing music effortlessly, the way it should and can be. Right notes will only get you so far. Like the concept itself, Hals writing style is forward moving and logical, making a potentially difficult concept easy to grasp and understand.
This book will perpetually grow and expand because all the exercises and playalong tracks about right now are web-based, so the author will be continually editing and adding. Nearly spiral bound pages.
For each of the tunes a thorough analysis and additional exercises are given. Be sure to specify your instrument when ordering! Endorsed by Keith Jarrett and many others, this book is a superb guide for anyone who aspires to create, whatever the medium. Trust the music within you! You will also be able to make a variety of different substitutions while playing, and you will also see improvements in your improvisation and composition abilities.
While this book can be used by any instrumentalists, you will get the most out of it if you have some basic familiarity with playing chords on a keyboard. The harmonic guidelines described are the same ones used in classical harmony, but presented in a way that has more direct application to the songs of George Gershwin, Cole Porter, and other composers of the standards used by jazz musicians.
Includes Barry in classroom and solo performance. Get a firsthand, up-close, private lesson on the art of Bebop piano from one of the originating masters. The accompanying page workbook includes a transcription of all the musical examples. Piano and guitar transcriptions are included. The following material is covered in three parts: Improvisation: Barrys latest thoughts on chord and scale relationships. The Rhythm Section: This session is vital for all rhythm section players and stresses the importance of using upbeats as they apply to each instrument.
Harmony: This session gets right to the heart of Barrys unique harmonic system. Detailing sixth diminished chord theory, chord movement and putting together effective voicings. Learn to recognize chord changes by ear! Explains chord extensions and alterations along the way. For all instruments, not just saxes! Music examples are demonstrated on recordings. Jerrys recipe for getting into Jazz harmony and theory works equally well for rock and fusion as it does for swing, Latin and BeBop.
Book includes transposed parts and exercises for all instruments. Transposed parts in the booklet allow all instruments to play along with the CD. The CD contains 22 play along and 10 demonstration tracks performed by a professional rhythm section. Jerry demonstrates selected tracks and exercises on his tenor.
This book will lend insight into practicing and playing creative rhythms in a melodic way. Presents an intervallic system as a means for creating original lines and themes. CD contains 19 tunes and several vamps. CD includes 12 standard chord progressions. This greatly expanded edition includes over new pages of solos transcribed from the CDs; each transposed for all instruments!
Now you can better understand the chapter concepts when you actually see as well as hear how the solos are constructed. All aspiring jazz players find themselves at a point in their development where they are ready to go from playing right notes to actually playing meaningful solos. Making this transition can be as frustrating as it is essential.
Its specifically designed to build upon the knowledge you already have and to improve your understanding and skills as a soloist. The 2 Playa-long CDs include selected tracks from Aebersold play-a-longs coordinated with exercises and solo examples played on a separate channel and notated in the book.
All parts in the book are transposed for all instruments. Useful for both private and classroom settings. A thorough workout which will develop your technique and your harmonic and rhythmic resources. Book, pages, spiralbound. The best book on the technique of triad pairs! Here Weiskopf presents a simple technique of using only two triads to create long, exciting phrases for all improvisers.
This text may be the key to you finally understanding what youre hearing in much of modern jazz. Very Important book! This book explains approach tones a tone or series of tones leading to a chord tone of the next chord - usually by a whole or half step and target tones tones that resolve your phrases and outline harmony.
See the instrumental categories in this catalog or www. Cutting-edge NY pianist and recording artist David Berkman shows you how to make practicing interesting and enjoyable by breaking problems into manageable tasks that you can easily master! Filled with hundreds and hundreds of concrete things to work on, along with funny jazz anecdotes illustrating the ideas presented, The Jazz Musicians Guide To Creative Practicing covers many of the things you need in order to be a complete jazz musician.
Playable for beginning instrumentalists. A great way to introduce kids to authentic jazz and blues. New is an appendix with style tips, a scale syllabus, and over 95 lines extracted from the etudes for improv study. CD includes a famous NY rhythm section. Get the most of your solo practice time, and interact more creatively with other musicians.
Relax, hear the music, feel the mood and let your ideas flow. Includes play-along CD with channel separation like the Aebersold series. Second edition. Reach your full creative potential and develop melodic ideas through the exploration of modal practices, tonalmodality-tonality and bitonality.
Tomassis method makes improvising simple. See all the solos, exactly as played, ready to play in transposed sketch-score format. Melody lines are also included and rhythm section parts are often included as guides to Air Mail Special - Benny Goodman - Solid Gold Instrumental Hits (Vinyl the feel of each composition.
With the proper sextet instrumentation, you can actually recreate the original performance, sans comping, and bass lines. For those who cant afford to pay the best jazz rhythm sections in the world to come practice with them on a daily basis, these play-a-longs are a must. What would you blow over a D Locrian 2?
The Melodic Minor Handbook provides musicians of all levels with these answers in presenting a concise, practical, easy to absorb method of exposure, study and practice in the components of Melodic Minor Harmony, and its use within the Jazz vocabulary.
Although the sound of Melodic Minor Harmony has been a staple of Jazz music over the last half century, familiarity among many aspiring musicians with its derivative modes and chord types still seems to remain a mystery; and even though touched upon to a greater or lesser degree by various books and methods, a comprehensive study stressing Melodic Minor Harmony as a unique harmonic universe of its own has been absent.
Until now!! Use this spiral bound planner to meet goals and speed progress in the practice room. Students will practice more, learn more and remember more! All Styles. Any Level. Every Instrument. The keys and tempos are comfortable. Its an excellent tool for learning what jazz soloing is all about. Besides reading, you can improvise over the play-along tracks using the chords for the tracks shown in the book. Each edition has a demonstration soloist of that particular instrument.
Specify alto, tenor, flute, violin, guitar, trumpet, or trombone edition. Jack Grassels book is to musicians what Zen in the Art of Archery is to archers: a practical text that increases accuracy, but more importantly, informs the life process itself. For ALL musicians. Explore the Basics of Jazz Improvisation and the critical areas involved in learning how to improvise, including: music theory, jazz harmony, ear training, jazz execution, jazz vocabulary, practicing, self-critiquing, career planning, and much more.
Includes many musical examples, exercises and practice routines that help make the learning process easy and enjoyable. CDs feature modal, key-area and modulating chord progressions performed at a slow, manageable tempos. Now in its 2nd edition, this CD contains 11 separate tracks which combine to produce a seamless self-hypnosis program tailored to the individuals needs.
This CD will help you with general performance related issues such as confidence, self-esteem and stage presence, sight-reading and concentration. The CD now includes new tracks for enhancing pitch recognition and rhythmic awareness.
Two powerful tracks addressing pre-gig mental preparation and visualization help the individual to hit the zone more consistently. Barry takes all the diatonic, pentatonic, chromatic, whole tone and diminished scales and gives you step-by-step exercises that dissect them into Air Mail Special - Benny Goodman - Solid Gold Instrumental Hits (Vinyl patterns.
The end result is a method book that will lead the reader to a deep, internalized understanding of the fundamentals of jazz. Each includes essential patterns and information for a particular topic. This simple technique can open up whole new linear possibilities. Includes many exercises and solos over standard chord changes. The audio CD that comes with the book contains 31 different grooves that accompany each of the riffs, influenced by the great funk artists, and covers a wide range of different Funk styles from the mid-sixties to the present day.
Available in editions for Alto, Tenor, or Trumpet. Please speciafy when ordering! It not only provides the means to learn and memorize tunes more easily, but also becomes the key to acquiring the skill to recognize progressions by ear! This new 3. Along the way, Jerry shares his own musical journey on the way to 12 key mastery. Move to a higher level of improvisation and musical confidence in any musical situation. Lists and discusses characteristics and illustrates approaches to understanding and performing each type.
The fundamental elements of the jazz language are carefully explored and fully explained in 14 chapters. Musical e x a m p l e s a r e demonstrated on the accompanying CD, which also includes a play along section with transposed parts for all instruments in the book. Without relying on overly technical terms, explains what to look and listen for so that you can fully enjoy and appreciate Americas original art form.
Includes an exhaustive list of Jazz play along recordings available by track and analysis of each. Ballad playing as a challenge musically is examined, with specific recommendations for success. That it is spiritually nourishing is demonstrated in the accompanying CD which also demonstrates the wrong approach with its message killing effect. For all levels, this study acts as an incentive to rise to new heights of artistry.
Can serve as a textbook as well as a selfteaching device. Covers all the improvisers basic tools including melody, rhythm, ear-development, swing, functional harmony and much more. Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of over patterns built on chords and scales. The patterns are organized from simple major triads to intermediate II-V7 to complex patterns polychords, lydian, augmented scales, etc.
Covers it all! This revised edition is for every instrument and level. Foreword by Gunther Schuller. Full of specific exercises and new and exciting strategies for unlocking your creative potential through practicing. For all instruments. Davids new and innovative system utilizes methods and techniques he has found most valuable both for his students and for his own playing. Through systematic study, this text will allow more complete musical expression by emphasizing the patterns and phrases that work.
Excellent for sight-reading and in-depth study of bebop licks and phrases. Intermediate level. Solos do not have to be played with the recordings. Can be used just as you would any solo book! Includes chapters on performers, patterns, pentatonics, unusual forms, minor blues and more. Techniques for Learning and Utilizing Bebop Tunes.
Each pattern starts on a different scale degree. This method, further developed, is now available as a comprehensive textbook. Designed for practical use, it provides theoretical knowledge necessary for improvisation, composing, and arranging. Funny, delightfully illustrated, and anything but dry. Includes scales, modes, chords, keys, and the circle of 5ths, ear training, song form, chord substitution, improvisation approaches, and more.
Diagrams, charts, notation examples, workbook exercises, glossary, and index. An excellent and unusually boisterous first theory book one that youll actually want to read! For developing essential musicianship skills, no other software package can equal Alfreds Interactive Musician. The program features three unique sections - Pitch Training, Sight-Reading and Rhythm - and is designed to enhance recognition of intervals, chords and scales, improve ability to sight-read, and prepare for various types of rhythms.
The self-paced program responds instantly to the users actions, helping to quickly identify strengths and weaknesses. This program may be used in a classroom setting. Teachers have the ability to create assessment tests that are scored electronically and have immediate access to student progress. Drills are randomized, so exercises may be played over and over without duplicating material.
Individual or group study, composition and improvisation. Sure to become a standard improvisation text for aspiring jazz musicians. During the days of complete lack of infomation from the outside world Album) our isolated native island, the Jamey Aebersolds educational series was like an open window to learn and better understand American music.
For a Cuban musician of my generation, the best gift from a visiting foreign friend was to get some of Jameys wonderful Play-A-Long sets. What I never ever dreamed was that one day Id be part of it and have my own Volume 77! Paquito DRivera. Beyond The Horn highlights intervals of 3rds, 5ths, 6ths, 10ths and introduces the concept of octave displacement. Studies and exercises are in all 12 keys.
The book concludes with 20 etudes that incorporate this new material. The large page book will add increasingly larger intervals to your vocabulary and open your ears as well.
Also included are authors notes on how to practice the technically challenging material. Successfully taught at the famous Eastman School of Music for the past several years, this method will take you beyond your previously assumed technical limits. For all musicians looking for a new direction. AROUND THE HORN outlines a simple yet thorough method for all musicians to familiarize themselves with the sound and possibilities of all the modes, including the neglected modes of the melodic and harmonic minor scales, and presents an efficient practice routine designed to make the uncommon modes as effortless and natural as the common modes.
Specially designed exercises and etudes will increase your harmonic awareness and understanding and enable you apply this understanding in practical real-world situations. By simply adding one chromatic note, you can convert the most commonly used scales into "Bebop" scales. Bebop scales almost magically turn scales into jazz lines, adding melodic flow and logical forward motion to your solos.
This makes hitting those "target notes" much easier and facilitates the seamless connection of one chord to another. The one added note makes all the difference! Let our professional writers handle your assignments and submit them to you no matter how close the deadline seems to be. This will protect you from all the pressure that comes along with assignments.
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Have also enjoyed working my way through the two live evenings of the Art Ensemble of Chicago from the Empty Foxhole in Philadelphia They were really on for these I'm thinking after I do my spin through all my Threadgill recordings I may need to do a second round through all my Art Ensemble ones and Braxton, and Muhal Richard Abrams AACM-related music has given me deep joy throughout the years Reading List, Week of Revolution in the Head, 3rd ed.
Labels: reading list. Tuesday, December 19, Recordings. Recordings are like high-speed photographs, capturing fast, short-lived phenomena that would otherwise go unnoticed. Labels: commonplace bookmusic. Monday, December 18, Reading List, Week of LP It's been a lovely year living with Ron Silliman 's massive The Alphabet. Labels: reading listRon Silliman. Playlist, Week of Daniel Barbiero 's latest collaboration with Ernesto Rodrigues and his son Guilherme is a pair of meditiative ruminations on identity and essence for prepared and manipulated double bass, viola, and cello Continuing to plow through the Bob Dylan box Labels: Daniel Barbieroplaylist.
Monday, December 11, Playlist, Week of Bill Laswell 's productions of the '90s sometimes rubs me the wrong way Very Very Circus is the band for all but two cuts, and I hear noted improvement over the previous LP Dave Burrell' s Echo is a wonderful slab of fiery free jazz, with the stellar rhythm section of Alan Silva and Sunny Murray Labels: Henry Threadgillplaylist.
Anthony and Cleopatra ed. Schoenbaum, ed. The Alphabet in progress. Saturday, December 9, Gig Canceled Tonight. The New Ting Ting Loft gig for tonight is canceled. Snow it goes Labels: New Ting Ting Loft. Check it out! Labels: RAIC. The recording of the trio set with Daniel Barbiero and Jimmy Ghaphery turned out great. The acoustics at Rhizome are wonderful--we were able to play quite quietly and still were able to capture a great amount of detail.
I think the file will be showing on the Rhizome page at archive. In the meanwhile, here are some photos, courtesy of Jeff Surak. Labels: Daniel BarbieroJimmy Ghapherymusic. Saturday, December 29, The Jazz Scene Friday, December 28, Upstate Radio Theatre Lake Air Tuesday, December 25, Jazz Progressions Monday, December 24, Classics and Beyond Allegro ma non Troppo II.
Andantino III. Upstate Radio Theatre Saturday, December 22, Something Beautiful The Jazz Scene Tuesday, December 18, Jazz Progressions Monday, December 17, Classics and Beyond Allegro II. Larghetto III. Prelude II. Allemande III. Courante IV. Sarabande Avec Double V. Gavote 1 and II VI. Tuesday, December 11, The Jazz Scene Listen Segment One So What? Friday, December 7, Lake Air Thursday, December 6, Something Beautiful Jazz Progressions Classics and Beyond Jeux de Vagues III.
Labyrinth V. Saturday, December 1, Lake Air Wednesday, November 28, Upstate Radio Theatre Tuesday, November 27, Jazz Progressions Monday, November 26, The Jazz Scene Saturday, November 24, Lake Air Friday, November 23, Something Beautiful
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