Thank You Girl take 1 Thank You Girl takes Thank You Girl take 5 Thank You Girl take 6 Thank You Girl mono version in stereo One After takes One After take 3 Messages To Australia Hold Me Tight takes Hold Me Tight take 29 Don't Bother Me take 10 Don't Bother Me takes Can't Buy Me Love takes A Hard Day's Night take 1 A Hard Day's Night takes A Hard Day's Night take 5 Extracts from The Beatles' Christmas Record Bad To Me acetate Medley Of Hits no audience I Feel Fine Sgt.
From Me To You mono version in stereo Thank You Girl take 1 Thank You Girl take 2 Thank You Misery (Take 7) - The Beatles - The Complete Roger Scott Tapes (CD) take 3 Thank You Girl take 4 Thank You Girl take 5 Thank You Girl take 6 Thank You Girl Misery (Take 7) - The Beatles - The Complete Roger Scott Tapes (CD) Thank You Girl Misery (Take 7) - The Beatles - The Complete Roger Scott Tapes (CD) version in stereo Misery (Take 7) - The Beatles - The Complete Roger Scott Tapes (CD) One After take 1 One After take 2 One After take 3 One After take 4 One After take 5 Messages To Australia Hold Me Tight take 20 Hold Me Tight take 20 re-make 1 Hold Me Tight take 20 re-make 2 Hold Me Tight take 23 1 Hold Me Tight take 22 Hold Me Tight take 23 2 Hold Me Tight take 24 Hold Me Tight take 25 Hold Me Tight take 26 Hold Me Tight take 27 Hold Me Tight take 28 Invited to the party were a small number of important D.
Norrie Drummond of the New Musical Express had the opportunity to interview each of the fab four. Take 1 All previous releases have omitted the brief pre-song studio chat and slate call heard here for the first time. Take 10 Slightly clipped on previous issues, this now features the intact fade-out. Take 1 A bit of Paul's bass, intro and slate call all included in pristine quality and unedited. From this new tape we can now hear the next take, the previously unreleased Take 9 In it's entirety, no edits, pre-song chat, no effects for the very first time.
There is a false start before Take 4 is called. Take 4 complete to a natural conclusion. Take 5 continues on after the fade with a ragged jam. Take 1 features John singing in the key of A and breaks down at the point of the solo. John asks if he sounds a bit strained. Take 2 which also breaks down is done in the key of G and sounds better for it. The version of Take 1 here includes a brief extract of John singing Georgie Fame's "Yeah Yeah", plus a slate call from Norman Smith all missing from all earlier releases.
Take 14 includes a truncated comment from George Martin after the fade, regarding the way they sing the words, "Please don't" A single by Kenny Lynch made "Misery" the first Beatles' song to be covered by another artist. In FebruaryHelen Shapiro was Britain's most Misery (Take 7) - The Beatles - The Complete Roger Scott Tapes (CD) female singer having first achieved chart success two years earlier at the age of 14  and The Beatles were fifth on the bill as part of her nationwide tour of the United Kingdom.
Her artist and repertoire manager, Norrie Paramorwas looking for new material for a country and western album she planned to record in Nashville, Tennessee and suggested that the Beatles compose a song especially for her.
When the Beatles needed original material for their Please Please Me LP they recorded it themselves, giving its treatment, according to writer Ian MacDonald"a droll portrait of adolescent self-pity". The songwriting credit was changed to what would become the more familiar " Lennon—McCartney " for their second album, With the Beatles.
McCartney: "It was our first stab at a ballad and had a little spoken preface. It was co-written. I don't think either of us dominated on that one, it was just a job, you could have called us hacks, hacking out a song for someone. The Beatles recorded "Misery" on 11 February marathon session in 11 takes. Norman Smith was the engineer. The Long And Winding Road. Have you spotted an error on the page? Do you want to suggest new content?
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